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Home / The Joe Kubert School of Cartoon Graphic Art

The Joe Kubert School of Cartoon Graphic Art

Artist

Joe Kubert
10.17.09JoeKubertByLuigiNovi.jpg

Kubert at the Big Apple tree Comic Con in Manhattan, October 17, 2009.
Born (1926-09-18)September 18, 1926
Jezierzany, Poland (now Ozeriany, Ternopil Region, Ukraine) [1]
Died August 12, 2012(2012-08-12) (aged 85)
Morristown, New Bailiwick of jersey, U.S.
Nationality American
Area(s) Writer, Artist

Notable works

 Fax from Sarajevo
Sgt. Rock
Hawkman
Tarzan
Awards Aisle Award (1962, 1963, 1969)
National Cartoonists Gild Awards (1974, 1980)
Eisner Accolade (1977)
Harvey Honour (1997)
Inkwell Awards Joe Sinnott Hall of Fame (2015).
Spouse(s) Muriel Fogelson (1951–2008; 5 children)
www.kubertschool.edu

Joseph Kubert (; September eighteen, 1926 – Baronial 12, 2012) was a Polish-born American comic volume artist, fine art instructor, and founder of The Kubert School. He is best known for his work on the DC Comics characters Sgt. Stone and Hawkman. He is likewise known for working on his ain creations, such as Tor, Son of Sinbad, and the Viking Prince, and, with writer Robin Moore, the comic strip Tales of the Green Beret. Ii of Kubert'due south sons, Andy Kubert and Adam Kubert, themselves became recognized comic book artists, every bit did many of Kubert's former students, including Stephen R. Bissette, Amanda Conner, Rick Veitch, Eric Shanower, Steve Lieber, and Scott Kolins.

Kubert was inducted into the Harvey Awards' Jack Kirby Hall of Fame in 1997, and the Volition Eisner Comic Book Hall of Fame in 1998.

Early life [edit]

Kubert was born September 18, 1926[iii] to a Jewish family in Jezierzany in southeast Poland (at present Ozeriany in Ukraine).[4] He was the son of Etta (née Reisenberg) and Jacob Kubert.[5] He immigrated to Brooklyn, New York Urban center, The states, at age ii months with his parents and his two-and-a-half-year-old sister Ida. Raised in the East New York neighborhood, the son of a kosher butcher,[6] Kubert started drawing at an early on age, encouraged by his parents.[vii]

In his introduction to his graphic novel Yossel, Kubert wrote, "I got my commencement paying job as a cartoonist for comic books when I was eleven-and-a-half or twelve years erstwhile. Five dollars a page. In 1938, that was a lot of money".[vii] Some other source, utilizing quotes from Kubert, says in 1938, a schoolhouse friend who was related to Louis Silberkleit, a chief of MLJ Studios (the future Archie Comics), urged Kubert to visit the visitor, where he began an unofficial apprenticeship and at historic period 12 "was allowed to ink a rush job, the pencils of Bob Montana'southward [teen-humor feature] Archie".[eight] Author David Hajdu, who interviewed Kubert and other comics professionals for a 2008 book, reported, however, that, "Kubert has told varying versions of the story of his introduction to the comics business organisation at age 10, sometimes setting information technology at the comics shop run past Harry "A" Chesler, sometimes at MLJ; however, MLJ did not showtime performance until 1939, when Kubert was thirteen".[ix]

Kubert attended Manhattan's Loftier Schoolhouse of Music and Fine art.[seven] During this time he and classmate Norman Maurer, a future collaborator, would sometimes skip school in order to run into publishers.[8] Kubert began honing his craft at the Chesler studio, i of the comic-book packagers that had sprung up in the medium's early on days to supply outsourced comics to publishers.[ citation needed ]

Career [edit]

Early career [edit]

Kubert's beginning known professional job was penciling and inking the six-page story "Black-Out", starring the character Volton, in Holyoke Publishing's Catman Comics #8 (March 1942; also listed as vol. 2, #13). He would standing drawing the feature for the side by side three issues, and was soon doing similar work for Trick Comics' Blue Beetle.[10] Branching into additional art skills, he began coloring the Quality Comics reprints of hereafter manufacture legend Will Eisner's The Spirit, a seven-page comics characteristic that originally ran as part of a newspaper Sunday supplement.[11]

1940s and 1950s [edit]

Kubert's first piece of work for DC Comics, where he would spend much of his career and produce some of his most notable art, was penciling and inking the l-page "Seven Soldiers of Victory" superhero-team story in Leading Comics #8 (Fall 1943), published past a DC predecessor company, All-American Publications. Throughout the decade, Kubert's art would appear in comics from Fiction Firm, Avon, and Harvey Comics, but he otherwise worked exclusively for All-American and DC.[10] Kubert's long clan with the Hawkman character began with the story "A Hot Fourth dimension in the Old Town" in The Big All-American Comic Book (1944).[12] Kubert drew several Hawkman stories in that title as well as in All Star Comics.[13] He and Irwin Hasen drew the debut of the Injustice Society in All Star Comics #37 (October. 1947) in a tale written by Robert Kanigher.[xiv] The Kanigher/Kubert team created the Thorn in Flash Comics #89 (Nov. 1947).[15]

In the 1950s, he became managing editor of St. John Publications, where he, his old classmate Norman Maurer, and Norman'due south brother Leonard Maurer produced the beginning 3-D comic books,[16] starting with Iii Dimension Comics #1 (Sept. 1953 oversize format, Oct. 1953 standard-size reprint), featuring Mighty Mouse.[x] Co-ordinate to Kubert, it sold a remarkable one.ii meg copies at 25 cents apiece at a time when comics cost a dime.[17]

At St. John, author Norman Maurer and artist Kubert created the enduring character Tor, a prehistoric-man protagonist who debuted in the comic ane,000,000 Years Ago (Sept. 1953). Tor immediately went on to star in three-D Comics #ii-3 (Oct.-November. 1953), followed by a titular, traditionally 2-D comic-book series, written and drawn by Joe Kubert, that premiered with issue #3 (May 1954). The character has since appeared in serial from Eclipse Comics, Marvel Comics' Epic imprint, and DC Comics through at least the 1990s.[10] Kubert in the late 1950s unsuccessfully attempted to sell Tor as a paper comic strip. The Tor samples consisted of 12 daily strips, reprinted in six pages in Alter Ego vol. 3 #10 and later expanded to 16 pages in DC Comics' Tor #1. He contributed work to Avon Periodicals, where he did science-fiction stories for Strange Worlds and other titles.[ten]

For EC Comics, Kubert drew a few stories for Harvey Kurtzman's 2-Fisted Tales alongside EC stalwarts Wally Wood, Jack Davis, and John Severin.

DC Comics and Sgt. Stone [edit]

Get-go with Our Regular army at State of war #32 (March 1955), Kubert began to freelance again for DC Comics, in addition to Lev Gleason Publications and Atlas Comics, the 1950s iteration of Marvel Comics.[10] By the terminate of the year he was cartoon for DC exclusively. DC editor Julius Schwartz assigned Kubert, Robert Kanigher, and Cherry Infantino to the visitor'southward first attempt at reviving superheroes: an updated version of the Wink that would appear in Showcase #4 (Oct. 1956).[18] The eventual success of the new, scientific discipline-fiction oriented Flash heralded the wholesale return of superheroes, and the beginning of what fans and historians call the Silver Age of Comic Books.[nineteen] In the coming years, Kubert would work on such characters as the medieval adventurer the Viking Prince and features starring Sgt. Rock and The Haunted Tank in the state of war comic G.I. Combat. He and author Gardner Play a trick on created a new version of Hawkman in The Brave and the Assuming #34 (February.–March 1961) with the graphic symbol receiving his ain title three years after.[20] [21] Kubert'southward work on Hawkman and in Thousand.I. Combat would become known as his signature efforts. Kubert's master collaborator on the state of war comics was author/editor Kanigher.[22] [23] Their piece of work together on Sgt. Rock is considered a memorable contribution to the comics medium.[24] [25] They introduced Enemy Ace in Our Army at War #151 (February. 1965).[26]

From 1965 through 1967 he collaborated with author Robin Moore on the syndicated daily comic strip Tales of the Green Beret for the Chicago Tribune.

Kubert served as DC Comics' director of publications from 1967 to 1976.[27] He made the Unknown Soldier the lead feature of Star Spangled War Stories with consequence #151 (June–July 1970)[28] and initiated titles based on such Edgar Rice Burroughs properties as Tarzan [29] and Korak. Comics historian Les Daniels noted that Kubert's "scripts and artwork ranked among the most authentic and constructive ever seen."[thirty] DC Comics writer and executive Paul Levitz stated in 2010 that "Joe Kubert produced an adaptation that Burroughs aficionados could respect."[31] Kubert supervised the product of the comic books Sgt. Rock and Weird Worlds. While performing supervisory duties he continued to draw for some books, notably Tarzan from 1972 to 1975 and drew covers for Rima the Jungle Girl from 1974 to 1975.[10] He edited Limited Collectors' Edition #C–36 which features stories from the Volume of Genesis adjusted past author Sheldon Mayer and artist Nestor Redondo.[32] Kubert and Kanigher created Ragman in the start issue (Aug.–Sept. 1976) of that grapheme's brusque-lived ongoing series.[33]

The Kubert Schoolhouse [edit]

The Joe Kubert Schoolhouse of Cartoon and Graphic Fine art was founded in September 1976[34] by Kubert and his married woman Muriel in Dover, New Jersey'south erstwhile high schoolhouse, whose alpine windows offered optimal lighting.[35] Its first graduating class of 1978 included Stephen R. Bissette,[36] Thomas Yeates, and Rick Veitch. Kubert taught a number of students who later became notable professionals, including Amanda Conner, Eric Shanower, Steve Lieber, and Scott Kolins.[37] [38]

Afterwards career [edit]

Joe, Adam and Andy Kubert, Heroes, The Israeli Cartoon Museum, Holon, Israel, 2011, Display View

Kubert provided art for several ceremony bug of key DC titles. He and writer Paul Levitz crafted a Hawkman story in Detective Comics #500 (March 1981).[39] [forty] Kubert was one of the artists on the double-sized Justice League of America #200 (March 1982)[41] also every bit Batman #400 (October. 1986).[42]

He wrote and drew a collection of religion-based comic strips beginning in the belatedly 1980s for Tzivos Hashem, the Lubavitch children'south organization, and Moshiach Times mag. The stories, "The Adventures of Yaakov and Isaac", were based on biblical references but were not Bible stories.[3]

Kubert fabricated a return to writing and drawing in 1991 with the Abraham Stone graphic novel Country Mouse, City Rat for Malibu Comics' Platinum Editions. He returned to the character for two more stories, Radix Malorum and The Revolution published by Epic Comics in 1995.

Also for Epic Comics, he delivered the four-effect Tor miniseries in 1993. Fax from Sarajevo, initially released as a 207-page hardcover book in 1996[43] and two years later as a 224-page trade paperback was published by Nighttime Horse Comics.[44] The not-fiction book originated every bit a series of faxes from European comics agent Ervin Rustemagić during the Serbian siege of Sarajevo. Rustemagić and his family, whose home and possessions in suburban Dobrinja were destroyed, spent two-and-a-half years in a ruined building, communicating with the outside world via fax when they could. Friend and client Kubert was i recipient. Collaborating long-altitude, they nerveless Rustemagić's business relationship of life during wartime, with Kubert and editor Bob Cooper turning the raw faxes into a somber comics tale.

Kubert drew the first issue of Stan Lee's Merely Imagine... limited series (2001)[45] and two pencil-illustrated graphic novels, Yossel: April nineteen, 1943 (2003) and Jew Gangster (2005), for IBooks. In 2003, Kubert returned to the Sgt. Stone graphic symbol, illustrating Sgt. Rock: Between Hell and a Hard Place, a hardcover graphic novel written by Brian Azzarello.[46] Kubert drew Tex, The Lonesome Rider, written by Claudio Nizzi and published by SAF Comics in 2005, and then wrote and drew Sgt. Rock: The Prophecy, a six-result miniseries in 2006.[ten] In the mid-2000s, he was the artist for PS, The Preventive Maintenance Monthly, a United States Regular army mag with comic-book elements that stresses the importance of preventive maintenance of vehicles, arms, and other ordnance. In 2008, Kubert returned to his Tor character with a six-issue limited series published by DC Comics entitled Tor: A Prehistoric Odyssey. In 2009, Kubert contributed a new Sgt. Rock story for Wednesday Comics, published by DC.[47] [48] His son, Adam, wrote the story, his first foray at scripting. In 2011, Joe Kubert wrote the introduction and drew the lenticular 3-D front encompass for Craig Yoe's Amazing 3-D Comics! [ten] Kubert inked his son Andy's pencils on the starting time 2 issues of DC Universe: Legacies, a x issue series chronicling the history of the DC Universe.[49] and the Before Watchmen: Nite Owl limited serial.[50] [51] The get-go ii issues of Before Watchmen: Nite Owl were released before Kubert's death. The other two were released posthumously. In 2012 Kubert and the Joe Kubert school produced a syndicated comic strip, "Hans Brinker and the Silver Skates", reprinted in Comics Revue. DC Comics published Joe Kubert Presents (December. 2012-May 2013) featuring stories by Kubert (Hawkman), Spit (Kamandi), Sam Glanzman (U.Southward.Due south. Stevens), and Driani Duniak (Angel and the Ape).

Personal life [edit]

Kubert married Muriel Fogelson on July 8, 1951.[52] In the early 1960s, The Kuberts moved to Dover, New Jersey and raised their 5 children:[35] David, the eldest, followed past Danny, Lisa, and comic-book artists Adam and Andy Kubert.[53] Kubert's granddaughter Katie Kubert works as a comics editor. She worked at DC Comics for 5 years as an editor on the Batman titles, and left to work on the X-Men titles at Curiosity Comics in June 2014.[54] [55] Kubert's grandson and graduate of The Kubert School, Orion Zangara, is also a comic-book artist who is currently working on a graphic novel trilogy for the Lerner Publishing Group.

Death [edit]

Kubert died of multiple myeloma[27] on Baronial 12, 2012, a calendar month short of his 86th altogether.[53] He was predeceased by his wife Muriel in 2008.[27]

Awards and recognition [edit]

Kubert's several awards and nominations include:

  • the 1962 Alley Honour for Best Single Comic Book Cover for The Brave and the Assuming #42.[56]
  • a 1963 write-in Aisle Award for "Artist Preferred on Body of water Devils.[57]
  • a special 1969 Alley Award "for the cinematic storytelling techniques and the exciting and dramatic manner he has brought to the field of comic art".[58]
  • The 1974 and 1980 National Cartoonists Society Awards in the category "Story Comic Book".[59] plus a 1997 nomination for All-time Comic Volume.
  • The 1977 Inkpot Honour[60]
  • The 1997 Eisner Award for "All-time Graphic Anthology: New", for Fax from Sarajevo.[61]
  • The 1997 Harvey Accolade for "Best Graphic Anthology of Original Work," for Fax from Sarajevo.[62]
  • September 2011 Inkwell Awards Administrator (September 2011–August 2012)[63]

Kubert was inducted into the Harvey Awards' Jack Kirby Hall of Fame in 1997,[62] and Will Eisner Comic Volume Hall of Fame in 1998.[64] In 2009, Kubert received the Milton Caniff Lifetime Achievement Award from the National Cartoonists Order.[65]

Kubert was awarded the Inkwell Awards Joe Sinnott Hall of Fame Award in 2015. His credence speech communication was given by Orion Zangara, his grandson and graduate of The Kubert School, on behalf of the Kubert Estate.[66]

Bibliography [edit]

DC Comics [edit]

  • 9-eleven: The World's Finest Comic Book Writers & Artists Tell Stories to Call back, Volume Two (2002)
  • Activity Comics #66–69 (inker), 126–127, 136, 138, 141 (1943–1950)
  • Action Comics Annual #10 (2007)
  • All-American Comics #70 (1946)
  • All-American Men of War #20, 22–24, 28–29, 33–34, 36–39, 41–43. 47–fifty, 52–53, 55–56, 59, 63–65, 69, 71, 73, 103, 114 (1955–1966)
  • All-American Western #103–116, 121, 125 (1948–1952)
  • All Star Comics #21, 24–30, 33–37, 56–57 (Justice Society of America) (1944–1951)
  • Atom and Hawkman #40–41 (1968–1969)
  • Batman #400 (1986)
  • Batman Black and White #one (1996)
  • Before Watchmen: Nite Owl #1–3 (inker) (2012)
  • Big All-American Comic Book #1 (1944)
  • The Dauntless and the Bold #one–24 (Viking Prince); #34–36, 42–44 (Hawkman); #twoscore (Cave Carson); #52 (Sgt. Stone/Johnny Deject/Haunted Tank) (1955–1964)
  • Captain Storm #3, 6 (1964–1965)
  • DC Comics Presents #66 (Superman and the Demon) (1984)
  • DC Special #5 (1969)
  • DC Universe: Last Volition and Testament #one (inker) (2008)
  • DC Universe: Legacies #ane–2 (inker), #4 (2010)
  • Detective Comics #500 (Hawkman backup story) (1981)
  • Dong Xoai, Vietnam 1965 HC (2010)
  • Wink Comics #62–76, 85–86, 88-90, 92–104 (Hawkman) (1945–1949)
  • From Across the Unknown #13 (cover)(1971)
  • Frontier Fighters #1–viii (1955–1956)
  • Ghosts vol. 2 #1 (2012)
  • G.I. Combat #44–46, 52–54, 56, 59, 62, 64–65, 67–70, 76–77, 79–80, 86, 99–100, 102–113, 133 (1957–1968)
  • Heroes Against Hunger #i (among other artists) (1986)
  • Firm of Mystery #96 (1960)
  • Business firm of Secrets #29–30, 39 (1960)
  • Jew Gangster SC (2011)
  • Jimmy Wakely #3, 12, 14 (1950–1951)
  • Joe Kubert Presents #1–six (2012–2013)
  • Just Imagine Stan Lee with Joe Kubert Creating Batman #1 (2001)
  • Justice League of America #200 (amidst other artists) (1982)
  • Korak, Son of Tarzan #49, 51, 58–59 (writer) (1972–1975)
  • Leading Comics #8 (Seven Soldiers of Victory) (1943)
  • More Fun Comics #97 (inker) (1944)
  • Mystery in Space #35, 113 (1956–1980)
  • Our Army at State of war #32–33, 38, 43, 46, 51, 54, 57, 59, 61, 64–65, 67–68, 73, 75, 79, 81, 83, 85–87, 90–105, 107, 109–112, 114–117, 119–122, 124, 126–163, 165–171, 174, 176, 179, 184, 188–189, 191–196, 198–202, 206–207, 217, 220–225, 227–228, 230, 233–234, 238, 282, 289, 300 (1955–1977)
  • Our Fighting Forces #7, 9, 11–13, 15, 17–19, 22–25, 29, 33, 40, 43, 51–53, 64, 66, 69, 74, 76–77, 90, 104 (1955–1966)
  • Ragman #4–5 (1977)
  • Ocean Devils #13 (1963)
  • Sensation Comics #35–36, 56–57, 66, 94 (1944–1949)
  • Sgt. Rock #302–304, 306, 328, 368, 422 (1977–1988)
  • Sgt. Rock Special #one (1992)
  • Sgt. Rock: Between Hell and a Hard Place HC (2003)
  • Sgt. Rock: The Prophecy #1–6 (2006)
  • Showcase #2, 4, 25–26, 45, 57–58, 85–87 (1956–1969)
  • Star-Spangled Comics #50–51 (1945)
  • Star Spangled War Stories #33, 39, 43–46, 53–58, 60, 67, 69, 71, 74, 87, 98, 108, 124, 126, 137–145, 147–152, 154–156, 158–160, 200 (1955–1976)
  • Strange Adventures #55 (1955)
  • Tarzan #207–225, 227–235 (writer/artist); #236, 239–249 (writer) (1972–1976)
  • Tomahawk #124, 131 (cover), 132–134, 135 (cover), 136 (embrace and Firehair story), 137 (cover), 140 (cover) (1969–1971)
  • Tor vol. 2 #1–6 (1975–1976)
  • Tor vol. 4 #ane–6 (2008)
  • Wednesday Comics #i–12 (Sgt. Rock) (2009)
  • Weird War Tales #1–ii, vii (1971)
  • World's Finest Comics #40–44, 54 (1949–1951)
  • Yossel SC (2011)
  • Young All-Stars Annual #1 (1988)

Marvel Comics [edit]

  • Abraham Rock #1–2 (1995)
  • Apache Kid #13 (1955)
  • Battle #37, 41 (1955)
  • Best Love #33 (1949)
  • Ghost Passenger #28–31 (inker) (1992)
  • Ghost Rider/Blaze: Spirits of Vengeance #four, 7–8, 13 (1992–1993)
  • Girl Comics #2 (inker) (1950)
  • Joe Kubert's Tor #1–4 (1993)
  • Journeying into Mystery #21 (1955)
  • Journeying into Unknown Worlds #34 (1955)
  • Kid Colt Outlaw #48 (1955)
  • Loveland #two (inker) (1950)
  • Lovers #25, 30 (1949–1950)
  • Marines in Battle #seven-8 (1955)
  • Marvel Tales #122, 134 (1954–1955)
  • My Love #three (inker) (1950)
  • Our Beloved #2 (inker) (1950)
  • The Punisher War Periodical #31 (inker) (1991)
  • The Punisher War Zone #31–36 (1994–1995)
  • Uncanny Tales #28 (1955)
  • War Comics #38 (1955)
  • Western Outlaws #nine (1955)

Collected editions [edit]

  • Tarzan: The Joe Kubert Years (Nighttime Horse Comics)
    • Volume i collects Tarzan #207–214, 200 pages, November 2005, ISBN 1593074042[67]
    • Volume 2 collects Tarzan #215–224, 208 pages, March 2006, ISBN 1593074166[68]
    • Volume 3 collects Tarzan #225–235, 216 pages, July 2006, ISBN 1-59307-417-4[69] (omits 1 page Kubert story "Tarzan's Animal Encyclopedia").
  • Enemy Ace Archives (DC Comics)
    • Volume ane collects Enemy Ace stories from Our Regular army at State of war #151, #153, #155; Showcase #57–58; Star Spangled War Stories #138–142, 224 pages, Dec 2002, ISBN 978-1563898969
    • Volume two collects Enemy Ace stories from Star-Spangled War Stories #143–145, #147–150, #152, #181–183, #200, 196 pages, September 2006, ISBN 978-1401207762 (Omits two Kubert stories from Star-Spangled War Stories" #146).
  • Hawkman Archives (DC Comics)
    • Volume 1 includes The Brave and the Bold #34–36 and #42–44, 240 pages, May 2000, ISBN 978-1563896118
  • Sgt. Rock Archives (DC Comics)
    • Volume 1 collects Sgt. Rock stories from G.I. Gainsay #68; Our Army at State of war #81–96, 240 pages, May 2002, ISBN 978-1563898419
    • Volume 2 collects Sgt. Rock stories from Our Army at State of war #97–110, 216 pages, Dec 2003, ISBN 978-1401201463
    • Volume 3 collects Sgt. Rock stories from Our Ground forces at War #111–125, 224 pages, August 2005, ISBN 978-1401204105
    • Volume iv collects Sgt. Stone stories from Our Army at War #126–137 and Showcase #45, 248 pages, October 2012, ISBN 978-1401237264
  • Tor (DC Comics)
    • Volume 1 144 pages, July 2001, ISBN 978-1563897818
    • Volume 2 144 October 2002, ISBN 978-1563898303
    • Volume 3 168 pages, September 2004, ISBN 978-1563899980
  • Wednesday Comics DC Comics, 200 pages, June 2010, ISBN i-4012-2747-3
  • Joe Kubert's Tarzan of the Apes: Artist's Edition IDW Publishing, 156 pages, September 2012, ISBN 1613774494[lxx] [71]

References [edit]

  1. ^ Horn, Maurice. Contemporary Graphic Artists: A Biographical, Bibliographical, and Critical Guide to Current Illustrators, Animators, Cartoonists, Designers, and Other Graphic Artists. Gale Research Co., 1986. Archived at Google Books. Retrieved August 12, 2012.
  2. ^ Creator-Owned Heroes #five Image Comics. October 2012.
  3. ^ a b "Joe Kubert". Lambiek Comiclopedia. August 13, 2012. Archived from the original on February 3, 2014. Retrieved August 12, 2012.
  4. ^ Meth, Clifford (June 4, 2005). "Joe Kubert: From Shtetl to Thou Master - Part Ane". "Meth Addict" (column), ComicsBulletin.com. Archived from the original on August 20, 2008.
  5. ^ "Kubert, Joe, 1926-". HighBeam Research. n.d. Archived from the original on May 17, 2013. Retrieved August 13, 2012.
  6. ^ Irving, Christopher (March 22, 2009). "Keeping current with Joe Kubert". Graphic NYC. Archived from the original on December 23, 2013.
  7. ^ a b c Kubert, Joe (2003). "Extract from Yossel". JBooks.com. Archived from the original on July 21, 2011.
  8. ^ a b Stiles, Steve (n.d.). "The Genesis of Joe Kubert Office 1". Stevestiles.com. Archived from the original on December 7, 2013. Retrieved June eight, 2012.
  9. ^ Hajdu, David. The Ten-Cent Plague: The Bang-up Comic-Book Scare and How information technology Changed America, page 357. New York, New York: Farrar, Straus and Giroux, 2008. ISBN 0-374-18767-3; ISBN 978-0-374-18767-5.
  10. ^ a b c d e f m h i Joe Kubert at the Grand Comics Database
  11. ^ Carlson, Michael (2012-08-twenty). "Obituary - Joe Kubert: Prolific comic-volume artist whose piece of work captured the chaotic, dirty business of war". The Independent . Retrieved 2019-09-13 .
  12. ^ Wallace, Daniel; Dolan, Hannah, ed. (2010). "1940s". DC Comics Year By Year A Visual Relate. London, United Kingdom: Dorling Kindersley. p. 49. ISBN978-0-7566-6742-nine. Artist Joe Kubert began his almost memorable work on the gravity-defying superhero Hawkman in this consequence..."The Painter and the $100,000" written by Gardner Fox marked the beginning of a long and fruitful run betwixt illustrator and graphic symbol.
  13. ^ Thomas, Roy (2000). "The Men (and One Woman) Behind the JSA: Its Creation and Creative Personnel". All-Star Companion Volume 1. Raleigh, North Carolina: TwoMorrows Publishing. p. 30. ISBN1-893905-055.
  14. ^ Wallace "1940s" in Dolan, p. 56: "In Robert Kanigher's story, featuring art by Irwin Hasen and Joe Kubert, a cabal of villains united every bit the Injustice Society of the World and took revenge on the JSA's assembled do-gooders."
  15. ^ Wallace "1940s" in Dolan, p. 57: "Writer Robert Kanigher and creative person Joe Kubert presented a female twist on Robert Louis Stevenson's Dr Jekyll and Mr. Hyde with the Thorn."
  16. ^ "WonderCon Special Guests". Comic-Con Magazine. San Diego Comic-Con International: 20. Winter 2010.
  17. ^ "Joe Kubert Interview: A Myth in the World of Comics". UniversoHQ.com. c. 2001. Archived from the original on November 24, 2010.
  18. ^ Levitz, Paul (2010). "The Silvery Historic period 1956-1970". 75 Years of DC Comics The Art of Modern Mythmaking. Cologne, Deutschland: Taschen. p. 251. ISBN9783836519816. Together Schwartz, Kanigher, Infantino, and Kubert would set a tone for the Flash that was both cinematic...and influenced past Schwartz's start love of scientific discipline fiction.
  19. ^ Irvine, Alex "1950s" in Dolan, p. 80: "The arrival of the second incarnation of the Wink in [Showcase] issue #4 is considered to be the official start of the Silver Age of comics."
  20. ^ McAvennie, Michael "1960s" in Dolan, p. 102: "DC's...renaissance soared to new heights with the return of Hawkman and Hawkgirl. Writer Gardner Play a trick on and artist Joe Kubert...ushered in a pair of Winged Wonders that, costumes aside, were radically different from their Golden Age predecessors."
  21. ^ Daniels, Les (1995). "The Silver Age Applying a Fine Shine". DC Comics: Lx Years of the Earth's Favorite Comic Book Heroes. New York, New York: Bulfinch Press. p. 130. ISBN0821220764. Hawkman took a little longer to go off the footing. He showed up initially in The Brave and the Assuming #34 (February/March 1961), but had to wait three years for Hawkman #1 (April–May 1964).
  22. ^ Pasko, Martin (2008). The DC Vault: A Museum-in-a-Volume with Rare Collectibles from the DC Universe. Philadelphia, Pennsylvania: Running Press. p. 72. ISBN978-0762432578. It was Bob Kanigher who led the company into the new genre...Kanigher originally worked on these books with many artists, including Jerry Grandenetti, Cistron Colan, Russ Heath, and Irv Novick just the Kanigher-[Joe] Kubert work would prove the most memorable.
  23. ^ Schelly, Bill (2011). The Art of Joe Kubert. Seattle, Washington: Fantagraphics Books. p. 133. ISBN978-1606994870. With the counterfoil of EC'due south legendary state of war titles in the wake of the Comics Code, DC'south war comics were the finest being published in the 2nd half of the decade. And this was largely attributable to their editor and chief writer, Robert Kanigher.
  24. ^ Markstein, Don (2008). "Sgt. Rock". Don Markstein's Toonopedia. Archived from the original on June 17, 2013.
  25. ^ Daniels, "Dorsum to the Battlefield", p. 104: "The nigh famous Kanigher-Kubert collaboration involved Sgt. Rock, who has gone on to get a part of our collective mythology as the classic of the gruff, cynical, good-hearted noncommissioned officeholder."
  26. ^ McAvennie "1960s" in Dolan, p. 114: "This landmark issue...presented a very dissimilar wait at war through the eyes of Enemy Ace Rittmeister Hans von Hammer. Writer/editor Robert Kanigher and artist Joe Kubert based von Hammer on German WWI airplane pilot Manfred von Richtofen a.thou.a. the "Red Businesswoman"."
  27. ^ a b c Play a joke on, Margalit (August 13, 2012). "Joe Kubert Dies at 85; Influential Comic-Book Creative person". The New York Times. Archived from the original on August 11, 2014.
  28. ^ McAvennie "1970s" in Dolan, p.140: "This state of war anthology series institute its most recognizable face up when Joe Kubert wrote, drew, and edited the first of a slew of...Unknown Soldier [stories]."
  29. ^ McAvennie "1970s" in Dolan, p. 151 "Tarzan enjoyed a prolific menstruation in comics when DC acquired the rights to novelist Edgar Rice Burroughs' iconic ape-man. Much of that success should be attributed to writer, creative person, and editor Joe Kubert, a lifelong Tarzan fan whose gritty, expressive manner was perfect for the jungle hero."
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External links [edit]

  • Official website
  • Joe Kubert at the Comic Book DB (archived from the original)
  • Joe Kubert at Mike's Amazing World of Comics
  • Joe Kubert at the Unofficial Handbook of Marvel Comics Creators
  • Comic Geek Speak Podcast Interview (November 21, 2005)
  • Joe Kubert at IMDb

turnerbounis1975.blogspot.com

Source: https://en.wikipedia.org/wiki/Joe_Kubert